You can see behind the scenes for Wiz Khalifa’s music video “In The Cut” off his Kush & Orange Juice Mixtape.  Looks like they’re all having a killer time, can’t wait for this video. Taylor Gang Or Let Stevie Wonder Drive You Around. Leave a comment.

“Wiz Khalifa stopped by The Source headquarters yesterday and chatted us up about the crazy year that he has since the last time he visited. In this interview, he touches on the success of Kush And Orange Juice, staying true to his fanbase despite signing to Atlantic Records and not being afraid to make commercial music.”

Here is some new music from Wiz Khalifa. The song will be off French Montana’s new mixtape “Coke Boys”. Hit the jump for the download.

Download French Montana – Not Ready Ft Wiz Khalifa

 Wiz Khalifa returns with his first single on Rostrum/Atlantic, the single by Wiz is called  “Black And Yellow” and was produced by Stargate. This isn’t a stoner rap, but it definitely is a hit. Hit the jump for the download and lyrics to Wiz Khalifa’s Black And Yellow. Don’t Forget to leave a comment on what you think.

Download Wiz Khalifa x Black And Yellow

Wiz Khalifa x Black And Yellow Lyrics

[Wiz Khalifa - Intro]

Yeah ah ha

you know what it is

Black and yellow, black and yellow

Black and yellow, black and yellow

(repeated)

[Chorus]

Yeah ah ha, you know what it is

everything I do, I do it big

Yeah ah ha, screaming thats nothin

when I pulled out that lot, thats stuntin

reppin my town when you see me you know everything

Black and yellow, black and yellow

Black and yellow, black and yellow

I put it down from my whip to my diamonds

Black and yellow, black and yellow

Black and yellow, black and yellow

Black and yellow, black and yellow

[Wiz Khalifa- Verse 1]

Uh, black stripe, yellow paint

the n-ggas scared of it but them hoes aint

soon as I hit the club look at them hoes face

put the pedal once make the floor shake

suede inside, my engine roaring

it’s the big boy you know what I pay for it

and I got the pedal to the metal

got you n-ggas checking game I’m balling out on every level

hear them haters talk but there’s nothing you can tell em

just made a million, got another million on my schedule

no love for em n-gga breaking hearts

no keys, push to start

[Chorus]

[Wiz Khalifa- Verse 2]

Got a call from my jeweler this just in

them b-tches love me cuz Im f-cking with there best friends

not a lesbian but she a freak though

this aint for one night I’m shining all week hoe

I’m sippin clecko and rocking yellow diamonds

so many rocks up in my watch I can’t tell what the time is

got a pocket full of big faces

throw it up cuz every n-gga that I’m with taylored

[Chorus]

[Wiz Khalifa- Verse 3]

Stay high like how I’m supposed to do

that crowd underneath them clouds can’t get close to you

and my car look unapproachable

super clean but its super mean

she wanna f-ck with them cats

smoke weed count stacks

get fly and take trips and thats that

real rap, i let her get high if she want and she feel that

convertible drop feel, ‘87 the top peel back

[Chorus]

Here is the remix Wiz Khalifa was Twitterin about a few weeks back.  Personally I think Wiz should of been  on the original version. He kills it on here, hit the jump for the download and leave a comment on the remix.

Download – Bottoms Up Remix – Ft. Wiz Khalifa

Jerm Jilla shows off the new piece he made for Wiz Khalifa, which is a Bombay Sapphire Bottle. This things looks sick, apparently Wiz is getting that money.

Here are two unreleased tracks from Wiz Khalifa recorded awhile back.

Wiz Khalifa – Too Late

Wiz Khalifa – The World

Check out this interview with Wiz Khalifa talks about being positive, smoking weed, and just having a good time. Hit the jump to read all of Wiz Khalifa’s and Big Seans answer from the interview.  

Wiz Khalifa, a hot young Atlantic Records MC, and a virtual staple on the hip-hop blogs, building off the success of his newest mixtape, Kush and Orange Juice, says he’s got to seize the moment—strike the iron while it’s hot, if you will. “It’s my time,” says Khalifa, who has been in California for four days, and already ingested four ounces of Cali’s finest greens (“I’m on my fifth”). “My music is right there for everybody.” But Wiz, born Cameron Jabril Thomasz, wearing a black “Diamond Shop” shirt, purple and turquoise Pittsburgh Pirates hat and brown aviators, knows it takes more than just slick rhymes to sell records. “With music you gotta be a visual character,” Khalifa says. Khalifa, who closed out the second stage at Rock The Bells’ LA stop, is hardly worried about much these days. “I was put here to rock shows,” Khalifa says proudly.

Hip-Hop is an epic story. How does it feel to be a big part of its newest chapter?

Big Sean (BS): A complete honor. You think back.. selling CDs in high school, to getting a deal, to nobody knowing you, to having two people at your shows, to having 10 people at your shows, to have 100 people, then to selling out shows. Now we got debut albums coming out, people recognize, showing us love, showing me love.. That’s all I could ever ask for.

Wiz Khalifa (WK): I always thought I was dope from back in the day. So now, that we’re even sitting right here, where everybody else is saying that we’re tight, that in itself is pretty cool. It’s just good to be making fun music and music that we wanna make and people is accepting it and putting us up there as the’ next dudes.’

What was your reaction when you find out you would be playing Rock The Bells?

WK: It’s big for me.. not only to be able to share the stage with (the legends), but to have my own following and fanbase and people there to see me. The real thing is the fact that many people, the same people whose coming to see the legends in the game, are coming to see and enjoy me as well.

BS: Tribe Called Quest, Snoop, Wu-Tang…all the long list of people who are performing, sharing the stage with them…that’s all you can really ask for. Having your own following there, all the real G’s that’s gonna be there, all the pretty girls. That’s the best man.

When did you get turned on to hip-hop?

BS: Mine was the Bad Boy era. I really started rapping for the girls at first when I was like 12 cause all the girls was into Mase and Puff Daddy and all that. B.I.G. was really one of my top favorites, and also that was around the time the Ruff Ryders was poppin. That was such an exciting time in hip-hop. You just started falling in love with it.

WK: It was like the same thing for me. I was into Bone before I was into Bad Boy and stuff like that. I was heavily into Bone. This was what was coming on TV and the music that we were stealing from our cousins and stuff.

BS: Exactly

WK: We were listing to all the same shit. I got turned out by Bad Boy and just the imagery.. just that life, for me, when I was younger, it just looked like what I wanted to be doing.

Snoop Dogg is performing “Doggystyle” on this tour. When was the first time you heard that legendary album?

WK: I heard it when it first came out, and I was too young to be hearing it, but my mom had one of them ghetto friends. My mom wasn’t listening to that stuff…she was into rap but she wasn’t into gangsta rap back then. She had one of them ghetto friends (who) had a loud ass truck and she used to come through and pick us up and be blasting that Snoop. That sounded soo baaad to me. It was scary how it sounded. The synths and the shit they were saying, and how hard they were saying the cuss words. I was way too young to even experience it.

BS: I was so young but somehow I ended up getting it. I don’t remember if I got it from somebody at school…maybe one of the bad ass kids. I think it was like at Thanksgiving or something, the year it came out, and I was playing it near the Thanksgiving table. Man, I think I got my ass whooping that day. My granddaddy and my grandma…man they whooped my ass that day. That’s how bad that CD is.

WK: That calls for an ass whooping

How does it feel to listen to that album now all these years later?

BS: Man, it’s just like the definition of Snoop man. It’s like that real Snoop shit…him at his finest. That’s definitely one of my favorite albums of all time.

WK: I ride to that almost every day, hearing different parts of the song, making sure I learn the words to other songs on there. I don’t think that’s ever gonna get old.

BS: That’s one of the Top Ten albums of all time.

WK: And that’s before I was smoking weed or anything, dog

BS: Yah, before the weed.

A Tribe Called Quest’s “Midnight Marauders” was a different brand of hip-hop, focusing on lyricism, but also social consciousness and positivity. How important is maintaining a positive message in today’s brand of hip-hop?

BS: Having a positive message doesn’t necessarily mean rapping about abstinence. Just for instance, letting people know you gotta keep a certain order. If you doing some party shit, it’s not cool to fight and do all that. It’s cool to enjoy a good time, lay back, smoke something, chill with the baddest girls ever, chill with the realest people ever. I always try and keep that message instilled in all my songs. It’s just how I live.

WK: If you’re a positive individual, that’s gonna come out—no matter how you put, no matter which way you put it. I rap about smoking weed and fucking bitches all the time, and somehow people tell me it’s a release for them.

BS: Everybody loves smoking weed and fucking bitches.

WK: (laughing) Once or twice.

Mixtapes and the Internet were keys to both of your success so far. How vital have non-traditional methods of getting your music out there been for you?

WK: I put my first mixtape out when I was in like tenth grade. That was when the Internet was kinda poppin but it wasn’t as accessible for everybody else. We were just adapting to the game. I seen whatever I did for myself was the best thing. With mixtapes, you gotta keep dropping material, or at least have people buying into what you got going on. So that’s when the mixtape thing popped off better and that led to more shows. My shows come strictly from the Internet whereas back in the day somebody have to go on the road and literally pass out CDs. I started through the Internet and it got me to where I’m at now.

BS: Mixtapes are so important. Honestly, the avenues that mixtapes open are crazy. I’ve gotten my own fanbase, my own following, and that’s strictly from blogs, strictly from Internet sites, strictly from putting music on MySpace. It’s a beautiful thing to even get paid for a performance without having anything on the radio. What more could you ask for. I’ve really stressed the importance to my label, how important mixtapes are.

How often do you check out what other MCs are up to?

BS: I’m on the blogs everyday. I wake up and go on before I do what I do. Seeing people who run the blogs, like Wiz.. he’s on there all the time with new shit…videos, songs. That really does fuel you and keep you going. It lets you know you gotta be on that bitch too…stand your ground. You gotta know what the competition is doing…the friendly competition.

WK: I get on blogs every day and if I get on there and I see Sean got a video, the video is gonna be tight cause I know he’s consistent, so I’ll look at the video and I’ll hear the song and I’ll be like ‘Man, I gotta go do a video now.’ It’s not like a bad competition.. we motivating each other. I might be sitting at home in my bed just waking up, getting high, and it’s making me wanna go to the studio by seeing whatever I’m watching (on the blogs).

You have to pick one legendary artist performing at Rock The Bells to watch perform their classic album in full. Who is it going to be?

WK: Is it even a question for me?

BS: Snoop, exactly.

WK: I got a jar this big (extends hands a foot wide) waiting for Snoop to do Doggystyle. And I’m gonna be right there the whole time.

BS: I wanna see Snoop, I wanna see Lauryn Hill too. I ain’t gonna lie, Miseducation, she’s a legend and I wanna see her come back

WK: I’m waiting for Snoop man, gotta give it up.

Myspace Source

Here’s a video of Wiz Khalifa at Rock The Bells 2010. He starts out with Super High Remix and he address the fans and people begin to throw ”doobs” on the stage.  Check it out and leave a comment.

Last night Wiz Khalifa was performing at Rock The Bells 2010  out in L.A. After the show when he returned back stage only to find his killer bong with Louis Vuitton Monogram print on it was missing. I can’t imagine how hard it was to find one of these, but I hope Wiz gets it back. To the dude that stole it, Taylor Gang or F*ckin Kill Yourself.  Hit the jump to see another picture of the bong and  Wiz’s Tweet about the thief.